All work →
The Wicked Witch on a lit blue screen stage, surrounded by C-stands, booms and crew

Commercial · 2023

Zynga — Wizard of Oz Slots

Role
Gaffer · Props
Client
Zynga
Production
Airtraffic

Approach

Oz should glow: a bright, fully lit set with spotlights layered on top, so every frame feels like it's center stage in a storybook.

A run of short-form mobile ads for Zynga's Wizard of Oz–themed slot game, made to play in phone and YouTube ad slots. As gaffer, I ran the lighting: building out C-stands, shaping the spotlights, and getting the cameras set up and ready so the cinematographer could walk in and shoot.

We filmed over three to four days, turning around three to five spots a day across a mix of scenes and scenarios. That pace meant lighting had to move fast: strike, reset and relight for a new piece of Oz, sometimes within the hour. We still wrapped on schedule.

To sell the world of Oz, we kept the whole set bright and layered spotlights on top: theatrical highlights that made it feel like a storybook. And my favorite props job was the smallest: a phone that had to look like it had been in a flying monkey's mouth. A real actor, a lot of goo, and one convincingly slobbered-on phone.

The spots

Monitor showing the Lion, Tin Man and Dorothy on green screen behind the slate
Monitor framing the Tin Man and the Lion at the slate
Monitor as the slate claps in front of the Tin Man
Blue screen stage lit with C-stands, an umbrella light and the Wicked Witch on her mark
The blue screen stage from the back of the room, crew setting the shot
Booms and lights rigged around the witch on the blue screen stage
Crew and camera blocking a scene on the blue screen stage
Green screen stage with the Lion and Dorothy waiting on their marks
Boom operator on an apple box as the crew lines up the Lion and Dorothy
Wide of the green screen stage with Dorothy and the Lion
Boom raised over the Lion and Dorothy on green screen
Slate up for Dorothy on the green screen stage
Next projectRoam →